Niklas Åkerblad AKA El Huervo AKA Beard talks about the aftermath of Hotline Miami’s breakout success and his emerging artistic philosophy. April 2016 saw success for the Kickstarter campaign for the Hotline Miami Collector’s Edition Vinyl, launched by Laced Records in collaboration with game developer Dennaton and publisher Devolver Digital,...
By Thomas Quillfeldt The inherent unreality of game worlds coupled with the video game industry’s massive J.R.R. Tolkien preoccupation (and through him, Richard Wagner's The Ring Cycle and various Nordic mythologies) means that for decades now, players have been presented with many, many different interpretations of ‘fantasy’. The pursuit of...
Video game podcaster Jeremy LaMont explores the beginnings of dynamic game music and how it manifests in modern soundtracks. By Jeremy LaMont In the same way that video games offer an experience that changes dynamically, a game’s audio—made up of music, sound effects and dialogue—can similarly be non-linear. In terms of...
We gather tributes from notable Uematsu superfans from around the video games and game music communities. By Thomas Quillfeldt In June 2017 in Paris and London, Eckehard Stier raised his baton to conduct one of the world’s best orchestras—the London Symphony Orchestra—alongside the London Symphony Chorus, in performances of classical arrangements of music...
Game composer Amos Roddy, AKA ToyTree, chatted to us about synthwave, his favourite scores and his love of "magical" vinyl By Thomas Quillfeldt Picture this: it’s 1996, you’ve just finished setting up your Windows 95 PC which is rocking an Intel 200 MHz P6 processor with 16mb of RAM, CD-Rom...
Composer and orchestrator Jim Fowler talks about his hopes for an increasingly interactive future for games music, the joys of live instruments on soundtracks and the movement for more VGM on national radio. By Thomas Quillfeldt As an art form within an art form, video game music has come a long way...
Writer Jack Gosling brings us up to the modern day with the conclusion of his brief history of VGM. If you haven't already, check out "Part 1: From ‘bip!’ to ‘bwomp!’" By Jack Gosling As the gaming world moves on from its humble musical beginnings, the limitations of technology and...
Rare-alumni Grant Kirkhope, Steve Burke and David Wise talk us through some of their favourite tunes from Yooka-Laylee. By Thomas Quillfeldt Is it 2017, or really 1997 in disguise? The colourful 3D platformers of the late 90’s and early 00’s, so full of character, are back in a big bad...
Writer Jack Gosling takes us on a whistle-stop tour of the history of video game music, from the 70s to the early 00s. By Jack Gosling Since the pixelated days of Pong and Space Invaders, video games have always strived to be on the cutting edge of technology. Not a month...
By Thomas Quillfeldt The sun is here again! (Depending on where and when you're reading this...) Time to put down the pad, open the front door, walk outside and soak up some vitamin D… Alternatively, you could catch some virtual god rays — gorgeous-looking modern games tend to do a...
This is part of a blog series “Why we ♥ video game music”: – ‘Nostalgia’ – ‘The background soundtrack to our lives’ – 'Scratching the vinyl itch' By Thomas Quillfeldt Those of us enamoured with video game music beyond its initial, functional purpose love it for several reasons: feelings of...
We picked out some of the bounciest, brightest and most bonkers pieces of game music from the classic era of 3D character platformers. By Thomas Quillfeldt 3D platformers are bouncing back in a big way! (I look forward to reading that sentence in 10 years’ time and cringing.) The genre...
By Thomas Quillfeldt As we’ve been exploring in our blog series, ‘Why we ♥ video game music’, game soundtracks can come to mean an awful lot to people, not least because they become wrapped up with memories and emotions of specific gaming moments. We asked some of the most passionate...
Tune by tune, we break down the structure of Roger Wanamo's Final Fantasy VI Symphonic Poem—an epic struggle between our heroine, Terra, and the villainous Kefka. By Thomas Quillfeldt Conceived as a set of orchestral concert suites, first performed in 2013, Final Symphony is based on the music of video game...
